The Horror of Godzilla #1
[Critic Score: 8.5]
The newest addition to The Kai-Sei Era of Godzilla comics arrives with The Horror of Godzilla written by Griffin Sheridan and Ethan S. Parker and pencilled by Tristan Jones, colors by Josh Burcham and letters by Tom Napolitano.
One Path: The White King
A gruesome, gory world, where infants are born from the earth; where amalgams of flesh pass bloody judgment on the infants’ mothers-to-be; where woman and beast contend to vanquish the other. One Path: The White King continues Greg Broadmore’s disturbed epic with the unrelenting gait of an apex predator.
Chachu #1
[Critic Score: 8.0]
Iman Vellani makes a strong first impression with her debut comic Chachu, where she flexes her skills as both a writer and a storyteller. Set in 1979, the story follows Leila, a 19-year-old Pakistani girl who travels from Canada to California to meet her estranged retired private eye uncle in hopes of learning about her deceased father.
Do A Powerbomb: Black & White #1
[Critic Score: 10]
Turn on the pay-per-view, Daniel Warren Johnson and Mike Spicers award winning limited series Do a Powerbomb is back, and you can have it in any colour you want as long as it’s black.
Killer Influences #1
[Critic Score: 7.9]
Serial killing is a hard business to stand out in, it’s time consuming, the PR isn’t great, and it’s creatively demanding. So how do you get ahead? Well hiring a social media manager isn’t a bad start in Killer Influences from IDW Publishing.
ESCAPE Vol. 1
War changes people. This is the lesson bomber pilot Milton Shaw is about to learn when his plane is shot out of the sky, leaving him stranded alone in enemy territory, among the ruins of the city he just partially annihilated.
Concrete: Stars Over Sand #1
[Critic Score: 8.1]
Concrete: Stars Over Sand #1 is the start of a mini-series that makes similar demands. It is the continuation of the adored independent comic Concrete that assumes the audience interested in a new story would be one that already has a deep familiarity with its previous publications. It doesn’t exist to find a new audience of potential readers, but a labor of love from the author to continue their story as they would have so many years ago.