Mugshots #1: Am I Blue?
Creative Team
writer/artist: JORDAN THOMAS
artist/colorist: CHRIS MATTHEWS
letterer: LUCAS GATTONI
publisher: MAD CAVE STUDIOS
Reviewed by Seth Adrian Romo
Mugshots #1 is a hard-boiled series debut that delves into the depths of criminal activities in 2008 Brighton, UK.
When a girl named Grace goes missing, all eyes point to a crime family with a history of kidnapping. With no other options, Grace’s family calls John Bannan, her criminal double-crossing bastard of an uncle for help.
This extra-sized series premiere has all the makings of an intriguing story: a missing person, a con artist, and a super slick art style.
Despite having all the right ingredients, this issue struggles with character depth which may limit readers connecting with anyone in the ensemble. While the story of saving Grace is paramount, her presence is limited and acts as a vehicle to introduce John, and is overshadowed by large cast.
Writer Jordan Thomas balances dialogue and pacing well, but narrative decisions may leave readers frustrated with why they should care about the story. Part of it may be the volume of characters introduced within this 30+ page comic book. Aside from John, there is not enough spotlight to elevate anyone else.
The decision for this issue to lean on being plot focused rather than character focused could work in future entries, but for a #1 issue, readers need to have someone to care for, root for, or at least be entertained by.
It’s fully possible that subsequent issues will give room for Grace, John, or the Woods crime family to have more depth, but for now it is needed to elevate this story.
The world crafted by Thomas may be dark and sleazy, but artist/colorist Chris Matthews brings the style for this series. From the complementary color palette that shifts throughout the story, to the fusion of retro/modern art style, the visuals are a wonderful juxtaposition of cartoonish design against a dark narrative.
Final Verdict
The retro/modern art mixed with clever color palettes create a dynamic visually experience. While there is a solid foundation, the lack of connection to characters with the readers hold this story back. Hopefully future issues will find their footing as Thomas and Matthews make a solid storytelling team.
| Criteria | Score |
|---|---|
| Writing | 7.0 |
| Story/Plot | 8.0 |
| Art/Line Work | 9.5 |
| Colors | 9.0 |
| Final Score | 8.4/10 |